I like jumping to techno,
I like singing the lyrics of the cliché pop songs,
And swaying slowly in the middle of the floor,
When that one slow song finally reaches the speakers.
I like the way your smooth tux welcomes my cheek as I lean in to your arms
And being enveloped in to a little space only meant to hold one,
As my entire body is taken over by butterflies.
we cut the legs off of our pants threw our shoes into the ocean [sit back and wave through the daylight]
Sunday, April 18, 2010
Sunday, April 11, 2010
You mean nothing.
Coward.
You walk around high and mighty,
like a god damn lion, king of the world.
With a mask of loyalty and composure;
But I'm calling you on your bluff.
I say you are a coward
to your very core,
through and through.
So go ahead, say it aloud.
Say what it is that you are too afraid to speak.
or maybe...
you feel like you just shouldn't say anything at all...
Why break your pattern now.
You walk around high and mighty,
like a god damn lion, king of the world.
With a mask of loyalty and composure;
But I'm calling you on your bluff.
I say you are a coward
to your very core,
through and through.
So go ahead, say it aloud.
Say what it is that you are too afraid to speak.
or maybe...
you feel like you just shouldn't say anything at all...
Why break your pattern now.
Thursday, April 1, 2010
Pages in the Dark
Slowly, the old woman began to walk about flicking out each of the light switches, one by one. The children were all gone for the night, but the echo of their voices seemed to drip out of the books in the children’s corner. The harrowed college students too were gone from the study cubbies, and yet for some reason the noise of their murmured notes flaked through the air. The library was empty.
With the lights off, the old woman began to move to a tiny desk to the left of the great wooden doors. There she flicked one more switch, setting a small lamp alight.
She sat there, at her desk, taking account for the day’s work, the day’s books.
She had no children, no family waiting at home. She had her books.
And she would always keep the children there, because they had read her books and signed their names to a ledger. And with that act, those children became hers. In each book she held a different mind. In each page a different past, a different soul.
A homeless man who sat in the corner, she kept him in her copy of Les Miserables, Hugo.843.
A young boy who would often hide a used stick of chewing gum beneath the round table by the windows. He was contained in A Tell Tale Heart, Poe.811.
A middle aged woman, who wore her skirts just an inch too short, her tops just a button too few. She was trapped in a tattered copy of The Scarlet Letter, Hawthorn.813.
The woman had her books. She would not let them go.
With the lights off, the old woman began to move to a tiny desk to the left of the great wooden doors. There she flicked one more switch, setting a small lamp alight.
She sat there, at her desk, taking account for the day’s work, the day’s books.
She had no children, no family waiting at home. She had her books.
And she would always keep the children there, because they had read her books and signed their names to a ledger. And with that act, those children became hers. In each book she held a different mind. In each page a different past, a different soul.
A homeless man who sat in the corner, she kept him in her copy of Les Miserables, Hugo.843.
A young boy who would often hide a used stick of chewing gum beneath the round table by the windows. He was contained in A Tell Tale Heart, Poe.811.
A middle aged woman, who wore her skirts just an inch too short, her tops just a button too few. She was trapped in a tattered copy of The Scarlet Letter, Hawthorn.813.
The woman had her books. She would not let them go.
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